| Centro Incontri Umani - Ascona | ||||||||||||||||||||||||||||||||||||||||
| 2013 schedule GRENZEN:Setzen - achten - öffnen Vorträge und Gespräche mit Dr. Markus Erni, Dr. Alfred Gugolz, und Alessandro Gugolz. POSTPONED - Seminars - Buddhism and Awareness - POSTPONED Due to circumstances beyond our control, the seminars have had to be postponed, and will be rescheduled shortly.
The figure of the shaman has always been a prominent motif within the Islamic world, particularly in relation to the mystical domain of Sufism. Here, Thierry Zarcone and Angela Hobart offer a vigorous and authoritative exploration of the link between Islam and shamanism in contemporary Muslim culture, examining how the old practice of shamanism was combined with elements of Sufism in order to adapt to wider Islamic society. Shamanism and Islam thus surveys shamanic practices in Central Asia, the Middle East, North Africa and the Balkans, to show how the Muslim shaman, like his Siberian counterpart, cultivated personal relations with spirits to help individuals through healing and divination. It explores the complexities and variety of rituals, involving music, dance and, in some regions, epic and bardic poetry, demonstrating the close links between shamanism and the various arts of the Islamic world. This is the first in-depth exploration of 'Islamized shamanism', and is a valuable contribution to the field of Islamic Studies, Religion, Anthropology, and an understanding of the Middle East more widely. 2012 schedule Opera recital by Gianluca Paganelli and Saffron Jones Performing a medley of works by Vivaldi, Händel, Verdi, Puccini, Bizet, Mussorgsky, Tchaikovsky, Rachmaninov and others. Free entry. Visualising Crises: An Anthropological Film Programme A Visual Anthropology Workshop held by the Centro Incontri Umani Foundation in co-operation with the Göttingen International Ethnographic Film Festival (www.gieff.de). Included in the programme is a public screening of Koukan Kourcia, The Cry of the Turtle-dove, directed by: Sani Elhadj Magori, Niger, 2011.
The state is frequently conceived as a universal, although one apparently extraordinarily difficult to define. It often appears in academic discourse and, especially, in the popular imagination as an abstraction, usually nebulous, grasped as pervasive - a spectre to be feared. In this book, distinguished scholars from around the world take issue with this purported universality, exploring alternative imaginings of the state, of power and of global processes at the margins.
A wide-ranging, interdisciplinary discussion on the cross-cultural and cross-disciplinary understanding of human wellbeing, addressing in particular the following questions: Have our existing disciplinary borders actually inhibited us from rethinking the shifting frameworks within which human health is understood? How might we benefit from comparing notions of human wellbeing that get generated in diverse cultural and disciplinary traditions? Are there specific arenas in which cultures and disciplines exhibit such shifts? Can what we learn from examining such diversity be brought to bear on our understanding of how wellbeing is socially constructed as 'health'? In what ways might we become more responsive to new and emerging social needs in the area of human wellbeing? Are there, as it were 'bottom-up' innovations that more structured institutions are slow to respond to and might respond to more affectively if they were better understood?
This talk situates Jung's pictorial work in his Red Book, Liber Novus. It reconstructs the intersection between figures of the Dada movement in Zurich and Jung's circle, and the proximities and distances between their concerns and his work, as well with his critique of modern art. It charts the increasing interest of psychiatrists and psychologists in the psychology and pathology of creativity. It shows how through his formulation of the mandala, Jung conceived what could be termed an art of well-being. 2011 schedule
A conference exploring the relation of art and music to religious pilgrimages in several areas of the world. The focus will be on the pilgrimage dynamic, rather than on the saints or deities thus venerated, as well as on the historical, anthropological, aesthetic and symbolical dimensions of the creative configurations associated with the pilgrimage complex. Convenors: Thierry Zarcone, Pedram Khosronejad and Angela Hobart.
A module of the Swiss Postgraduate Programme in Anthropology organized by Prof. Heinz Käufeler (University of Zurich) and Angela Hobart (Director, Centro Incontri Umani), and with contributinos from Hideko Mitsui (University of Tokyo/Cambridge) and Bal Gopal Shrestha (Oxford University). Open to all.
The last mountain farmers of Prugiasco (Mon), Bunong's birth practices between tradition and change (Tue), The Storyteller (Fri). Convened by the Centro Inconti Umani in collaboration with the Göttingen International Ethnographic Film Festival.
An international conference engaging with the humanity and morality of migration. Convened by David Napier and Angela Hobart. Middle Eastern Music Concert At this special concert, Khyam will present his debut album,Resonance/Dissonance, in it's entirety, accompanied by percussionist Vasilis Sarikis. 2010 schedule Pilgrimage and Sanctuaries: Film Screening A public screening of three films: 'The Sanctuary of the Seven Sleepers in the Silk Road', 'The Pilgrimage to the Seven Regraga in Morocco' and 'The Red Sufi'. Pilgrimage and Sanctuaries: Ambiguity in Context A conference exploring the theme of pilgrimages and 'ambiguous'sanctuaries, from a wide range of locations, in which different belief systems are entwined, assimilated or superimposed on one another. Convenors: Thierry Zarcone, Pedram Khosronejad and Angela Hobart. Coping with Global Changes: AnAnthropological Film Programme On the occasion of the Visual Anthropology Workshop, the Centro Incontri Umani Foundation presents five documentaries in co-operation with the Göttingen International Ethnographic Film Festival (www.gieff.de). Retreat Seminars - The Healing Power of Love and Awareness Organized by Lama Geshe Gedun Tharchin (accomplished Tibetan meditation master, spiritual director of Lamrim Institute, Rome) and Angela Hobart (Executive Director of the Centro Inconti Umani, Anthropologist and Psychodynamic Therapist). Indian Classical Music Concert - 'Basant', The Colour of Spring The name Basant is from Sanskrit vasant meaning 'spring', and it is a very old raga dating from the 8th century, performed in slow and medium-fast tempos. This raga is a symbol of Love (spiritual and human). In India it used to be considered that when Lord Krishna and Goddes Radhika were mating and dancing with joy it was appropriate to perform to celebrate this holy situation.
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| Via Signor in Croce 9 - 6612 Ascona - Ticino - Switzerland - email | ||||||||||||||||||||||||||||||||||||||||